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God Fodder sounds 6 april 1991

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NED'S ATOMIC DUSTBIN
'God Fodder' (Furtive) ****

FROM SOMEONE who was supposedly on the Neds' journalist hit list, this is going to seem like a major turnaround, but to understand the Neds' appeal you have to view them on their own terms, not alongside contemporaries like Mega City 4 who, by rights, should have attained this level of popularity.
Still, there's no doubting the Neds have paid their dues, and for those caught up in their whirlwind rise to fame 'God Fodder' won't disappoint. What will, though, is the inclusion of no less than four previous singles, which is either down to big bad record company marketing policy or simply the fact that the band didn't have enough songs.
So, it's a re-recorded 'Kill Your Television' which sparks the ignition for the obvious excitement and enthusiasm which bubbles throughout the remainder of 'God Fodder'.
There's an obvious maturity to the newer songs as they glide along on a much improved doubted-pronged bass foundation, and although the first side falters towards the end, it only serves to make side two all the better.
'Capital Letters' sways with adolescent vibrancy, Jonn singing "She'll break some hearts when she grows up/She'll break some hearts when she owns up/Mine is one like the direct heartbroken descendant of Feargal Sharkey - and indeed, the Undertones' wonderful disposable-but-nice aura shines right through Stourbridge's finest.
Top 20 single 'Happy' not only managed to mention the word "antiquated" on Top Of The Pops but was also that prize rarity, a worthy 'pop song' in the charts. Which is also where the fiery 'Until You Find Out' should have ended up- but it's when the final anti-parental guidance anthem 'What Gives My Son?' begins with an angry father shouting "You look like a goddamn girl", that the Neds' teenage rebel potential becomes apparent.
For they really would be part of the audience if they weren't in the band, and with most of their devotees either first year students taking that first tentative step towards independence or schoolkids bunking off exam revision to see them live, Ned's Atomic Dustbin are ideal companions with the same problem parents and problematic relationships.
The effect may wear thin in time but for today, and today only, 'God Fodder' is the most instantly likeable and damn near essential pop experience you can have - as for tomorrow, well who ever cared about tomorrow anyway?
Andy Peart