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London ULU - 11 october 1990 nme 1990

MEGA CITY BORE

MEGA CITY 4
NED'S ATOMIC DUSTBIN
DRIVE
LONDON ULU

THE DOORS have only just opened when Liverpudlians Drive take the stage, unflustered by the lack of punters they go at it furiously. Howling and roaring headstrong into every song, they make an inflamed noise. The trouble is it just sounds like frustrated men releasing their tensions loudly, there's no melody, just a convulsive rhythm that does your head in after a while. Towards the end of their stint a sizeable crowd has gathered, which seems to fuel Drive into their best moment. Bombastic and played at a murderous speed, the song contains the catchy and winning chorus of "F—— you, f—— me. F—— you, F——the USA" and is endowed with, what seems to be, a speeded up version of that 'na na na na na Angus' AC/DC riff. But this is a brief respite and Drive end as they began, thrashing about wildly but heading in no particular direction.
Ned's Atomic Dustbin are better and give the crowd their first chance to stagedive. It's still a fierce, and somewhat overwhelming, sound but far more refined than Drive with a bit of the pop ethic thrown in. Their stage show consists of running around a lot, while the singer, a dead ringer for Glenn Hoddle but can't sing as well, flops about from one foot to the other like a Sumo wrestler does before entering a bout. They play their most famous tune, 'Kill Your Television', which is their most appealing and most sing-along-able. The crowd love it, of course, but they smell a bit and have huge chunks of their hair cut o'ut at strategic places, so I wouldn't trust them.
'The Boys Are Back In Town' is Mega City Four's entrance call. I presume they take their name from MC5 who used to shit on stage and spend most of their waking hours toking down. Well MC4 don't seem to spend much time toking but do allow their instruments to do the shitting. As much as I admire their dogged perseverance of playing 900 gigs a year, where has it got them? Not very far, and this is because they don't understand the aesthetics of rock 'n roll, that's why I'd take The Manic Street Preachers or even Birdland ahead of them. MC4 just look shit, there's no glamour or sex involved, just honest heads down rocking. Which is all very well and nice but ultimately boring.
I get the feeling I'm outnumbered here tonight, as the rammed full hall goes mental, lapping it all up, but I'll get my revenge. One day when these people wake up and realise that having a bad haircut and no taste in music or clothes is a prerequisite for a life of shelf stacking at Tesco's I'll be the bastard complaining 'cos I can't find the baked beans. Hopeless.
Simon Dudfield